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Cargo Newsletter 385
Apr 21 26
Section 1
boundary
You are in a well lit room. It is a plain room with soft, white painted walls. There is a neatly made bed, and a dresser, above which hangs a picture of a woodland sunset. There is also a lamp on a small round table; it is the source of the warm atmosphere. There is no window, but there is a staircase.
From the staircase opening emits a different light; this one, pale blue. It is also calm, just separate. Something about this light compels; it pulls you to leave the white room. Abstract thoughts connected to “relief” and “relaxation” involuntarily surface. It will feel good to move on.
Standing at the floor opening, looking down the staircase, it seems longer than any staircase in any house that you remember. There is no visible terminus either, just a long flight disappearing into a dim, blue effervescent fog. You place your left hand on the railing and start your descent.
The bannister is surprisingly warm and fits your palm and fingers perfectly. It is deeply soothing to slide your hand along its ever-so-slightly textured surface. You almost want to put your cheek on it, or kiss it, but don’t.
With each downward step your breathing becomes deeper. The sparkling particles in the air, the ones that seem to make up the mist, enter your lungs fully; there is a kind of menthol effect. Minty, cool. You are becoming slower with each breath and step.
After descending for about a minute, the desire to sit down overwhelms. Doing so you realize that steps have become more generalized; the stairs are less like stairs and more an easy slope. You lie back and close your eyes and begin to slide. Your limbs feel like sweet, heavy, custard-filled pastries. Your eyes, like flowers blossoming in reverse; soft petals folding into tight sleepy bulbs.
A velvet blackness envelopes every pore, hair, and cell of your body. General awareness seems completely uninteresting. You try to move, but can’t; what would be the point anyway? You just keep sliding down the slope, seemingly picking up speed, until you can’t feel anything at all. You are like a single affable nerve becoming one with a satin universe.
It seems you have come to a stop. Without opening your eyes you can see, or somehow sense, a large ruby like object moving about you. It is infinitely faceted, and crystalline. It changes aspects and dimensions as it fluidly travels around, what now feels like, your significantly diffuse, being. Far off, you hear a sound like a barking (laughing) hyena.
You should have stayed in the white room.
Josu Larrea https://josularrea.cargo.site
Josu Larrea
@josu_larrea
I’m nothing.
I’ll always be nothing.
I can’t want to be something.
But I have in me all the dreams of the world.
(Fernando Pessoa, from The Tobacco Shop, 1928)
Such thoughts come to mind when being led around the darkly soft, clean but sensual, site environs of Josu Larrea.
Sam Evers https://sam-evers.com
Sam Evers
@sam.evers
Marie-Espérance Cerdà https://marie-esperance.xyz
Marie-Espérance Cerdà
@m_ec_me_c
Gi (Ginny) Huo https://ginnyhuo.com
Gi (Ginny) Huo
@gi_huo
Paula Rodríguez https://paulargurbina.com https://www.instagram.com/paularodriguezwork
Paula Rodríguez
@paularodriguezwork
Julien Hébert https://julienhebert.com https://www.instagram.com/julien_hebert
Julien Hébert
@julien_hebert
Emery Lane Norton https://emerynorton.com https://www.instagram.com/emerzbau
Emery Lane Norton
@emerzbau
James Rönkkö https://jamesronkko.cc https://www.instagram.com/jamesronkko
James Rönkkö
@jamesronkko
Jean-Philippe Bretin https://jeanphilippebretin.fr https://www.instagram.com/jeanphilippebretin
Jean-Philippe Bretin
@jeanphilippebretin
Chiara Chiavazza https://chiarachiavazza.com https://www.instagram.com/ch__chiara
Chiara Chiavazza
@ch__chiara
Jisung Park https://jisungpark.work https://www.instagram.com/hooroot
Jisung Park
@hooroot
Jiaxian Peng https://gaayein.com https://www.instagram.com/p.lgue
Jiaxian Peng
@p.lgue
ORIMI https://orimi-k.com https://www.instagram.com/orimi.official
ORIMI
@orimi.official
Jon Blu https://jonblu.photo https://www.instagram.com/bokehture
Jon Blu
@bokehture
Charlotte Foley https://charlotte-foley.com https://www.instagram.com/charlieonyourscreen
Charlotte Foley
@charlieonyourscreen
Caspar Heijnneman https://casparheijnneman.com https://www.instagram.com/caspar_heijnneman
Caspar Heijnneman
@caspar_heijnneman
Samanta Falcone https://samantafalcone.com https://www.instagram.com/samanta_falcone_
Samanta Falcone
@samanta_falcone_
Kristina Shakht https://kristinashakht.com https://www.instagram.com/kristinashakht
Kristina Shakht
@kristinashakht
Nicolò Riccardo Lastrico https://nicololastrico.com https://www.instagram.com/n.r.lastrico
Nicolò Riccardo Lastrico
@n.r.lastrico
Fallow https://fallow.work https://www.instagram.com/nhblnd
Fallow
@nhblnd
Mieke Verbijle https://miekeverbijlen.com https://www.instagram.com/miekeverbijlen
Mieke Verbijle
@miekeverbijlen
POST CODE https://p-o-s-t-c-o-d-e.com https://www.instagram.com/p_o_s_t_c_o_d_e
POST CODE
@p_o_s_t_c_o_d_e
Marcus Quigley https://marcusowenquigley.com https://www.instagram.com/marcusowenquigley
Marcus Quigley
@marcusowenquigley
Objects May Shift https://shift.risd.edu
Objects May Shift
Louis Benjamin Barrett https://louisbenjamin.com https://www.instagram.com/louis.barrett
Louis Benjamin Barrett
@louis.barrett
David Sartori https://davidesartori.info https://www.instagram.com/davidesartori_
David Sartori
@davidesartori_
Josephine Meng https://msjosephin.com https://www.instagram.com/msjosephin
Josephine Meng
@msjosephin
Daniel Castrejón https://mcmlxxix.ltd https://www.instagram.com/dnks_mx
Daniel Castrejón
@dnks_mx
Samanta Falcone https://samantafalcone.com https://www.instagram.com/samanta_falcone_
Samanta Falcone
@samanta_falcone_
Maxime Chabal https://maximechabal.com https://www.instagram.com/maxime.chabal
Maxime Chabal
@maxime.chabal
Timeshare https://timeshare.group https://www.instagram.com/t_i_m_e_s_h_a_r_e
Timeshare
@t_i_m_e_s_h_a_r_e
Daegan Wells https://daeganwells.com https://www.instagram.com/daeganwells
Daegan Wells
@daeganwells
Kevin Couchman https://kevincouchman.com https://www.instagram.com/kevin.couchman
Kevin Couchman
@kevin.couchman
Micah Sargisson https://micahsargisson.com https://www.instagram.com/micahsargisson
Micah Sargisson
@micahsargisson
Maddi Das https://madalyndas.com
Maddi Das
Nikol Cheres https://nikolcheres.com https://www.instagram.com/nikolcheres
Nikol Cheres
@nikolcheres
Paloma Passetto de Souza https://palomapassetto.com https://www.instagram.com/paloma.passetto
Paloma Passetto de Souza
@paloma.passetto
SRP33 https://srp33.cargo.site
SRP33
Mothanna Hussein https://mothannahussein.com https://www.instagram.com/mothannahussein
Mothanna Hussein
@mothannahussein
Lucas, €1,200 https://cultpictures.com/lucas
Lucas — €1,200
Cult Pictures
Heaven’s Gate T-Shirt, £30 https://purge.xxx/xxxtra
Heaven’s Gate T-Shirt — £30
Purge.xxx
High Jump Orange, $825 https://handsy.nyc/shophttps://www.instagram.com/handsy.nyc
High Jump Orange — $825
Handsy
@handsy.nyc
Imaginar Otra Tierra, €20 https://bartlebooth.org/Imaginar-otra-tierrahttps://www.instagram.com/bartlebooth_
Imaginar Otra Tierra — €20
Bartlebooth
@bartlebooth_
Sagging RP Trousers, €370 https://rafaelapestritu.com/sagging-rp-trousershttps://www.instagram.com/rafaelapestritu
Sagging RP Trousers — €370
Rafaela Pestritu
@rafaelapestritu
Letter Writing Set, £8 https://letterpresszine.com/letter-writing-sethttps://www.instagram.com/letterpresszine
Letter Writing Set — £8
Letter Press
@letterpresszine
An offering of pieces and projects from around the web.
Amy Clampitt, Black Buttercups (1985)
Dirk Van Saene at Gallery Sofie Van de Velde (2021)
John Galliano, Fall/ Winter (2007-08)
Ryan Preciado at Karma (2024)
Miho Nagaya, The Flower From The Sea (1994)
Eight of Wands
23. Splitting Apart
2. The Receptive
Each week we consult the Tarot and the I Ching.
To submit a question, send an email to oracle@cargo.site
These first few lines are the general aphoristic returns for the week. They are raw and uninterpreted; there to use how you’d like. (The specific readings follow.)
Do not ignore, or worse, pretend, that many aspects of your life aren’t ALREADY underway. Do not deliberate over different destinations when you are in fixed transit to one.
“Evil is not destructive to the good alone but inevitably destroys itself as well.”
“A human achieves the height of wisdom when all that they do is as self-evident as what nature does” — because we are nature.
Question from “J.D.”: What is the purpose of the life experience?
Oracle reply:
Life is underway from the very beginning.
Life is terminal (as regards life shapes).
The individual does not shape life, they are life thus are shaped by it, and really, indivisible from it.
Thus, seek accord/harmony with higher powers (beyond human).
Perhaps, “the purpose of the life experience” is to be sincere, pursue harmony with more powerful movements and maintain a devotional attitude.
Complete Reading:
This week we pulled Eight of Wands. “It” is underway. Perhaps nearing completion, or, at least in the downward part of the arc’s trajectory. No point in thinking about beginnings, rather, prepare for fulfillment or resolution.
Our first hexagram this week is #23, Splitting Apart. There are times when the dark completely overwhelms the light (the yin pushes out the yang). This can mean the time for doing is over, and a period of reflection begins, or, more seriously, a time when people with selfish/base motivations thoroughly dominate superlative peoples. In either case, it can’t be helped; it is a natural progression. The best thing to do in such times is submit and be still; favorable conditions will return eventually (the “seed of good” always remains).
There was one change of which the specific note is: “A law of nature is at work here. Evil is not destructive to the good alone but inevitably destroys itself as well. For evil, which lives solely by negation, cannot continue to exist on its own strength alone.”
Our second hexagram, the one that suggests how best to meet the challenges (or the changes) is #2, The Receptive.
The two chief, primordial themes of the I Ching are contained in the first two hexagrams: #1 The Creative and #2 The Receptive. First, the Creative, the élan vital — the emergent life force of the world/universe. The second, the Receptive — “action in conformity with the situation.” To properly use the creative force of this world one first must accept limitation, then, one is “sure to find the right guidance... The superior person lets themself be guided; they do not go ahead blindly, but learn from the situation what is demanded of them and then follows this intimation from fate.” In other words, you do not shape the world — the world shapes you. “Nature creates all beings without erring… A human achieves the height of wisdom when all that they do is as self-evident as what nature does.” Also, “…the superior person gives to their character breadth, purity, and sustaining power, so that they are able to both support and bear people and things.”
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